Additions to the harmony of Renaissance art based primarily on the works of Palestrina’s choral works. Explanations, excerpts and exercises connected to the modal scales, pitch set, consonant and dissonant triads in root position and first inversions, modal cross relation, plagal and authentic cadences etc.
Formal and Harmonic Coherence in Franz Liszt’s Ballade No. 2 in B Minor
Source(s) of analysis: Score Musical work: Ballade No. 2 in B minor S.171 Year of creation: 1853 Composer's name: Franz Liszt Methods of analysis: Conventional / Traditional analysis, Formal analysis, Other, Structural analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced, Intermediate
Study cycle: Bachelor, Master, PhD and professional
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