This book is Schoenberg’s last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. Schoenberg’s argument is supported by music examples, which range from entire development sections of classical symphonies to analyses of the experimental harmonic progressions of Strauss, Debussy, Reger and Schoenberg’s own early music.
Affordable Approaches to Timbral Analysis of Music: Using Today’s Computer Technology
Source(s) of analysis: Recording, Score Musical work: N/A Year of creation: N/A Composer's name: N/A Methods of analysis: Computational analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced, Intermediate
Study cycle: Master, PhD and professional
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