The musical excerpts included in this volume may serve both as solfège excercises and as dictations. They are organized into four chapters, according to the criteria of texture (from 1 to 4 parts). However, within each chapter the excercises display different levels of difficulty, due to the diversity in various musical aspects, like melodic structure, scales or harmony. The provenience of the exercises is equally diverse; the collection includes some excerpts from classical music along with some folk tunes and some originals composed by the book’s authors specifically for educational purposes.
The Origin and Possible Usage of Transgressio in Music Theory Classes
Source(s) of analysis: Score Musical work: 3 Rosenkavalier, Concerti musicali Op. 6 No 7 (3rd movement), Piano Concerto KV 414, Solche hergelaufnen Laffen / Die Entführung aus dem Serail, Stabat mater, Symphony 86, Trio Sonata Op. 4 No. 1 (3rd movement), Trio Sonata VII/2 Op.3, Von den Stricken meiner Sünden / St. John Passion Year of creation: 1689, 1694, 1698, 1724, 1736, 1782, 1786, 1911 Composer's name: Bach, Corelli, Haydn, Mozart, Pergolesi, Strauss, Torelli Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Structural analysis, Style analysis
Target Group / Study LevelLevel of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor
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