A clear and comprehensive volume spanning the entire theory course, HARMONY AND VOICE LEADING, Fourth Edition, begins with coverage of basic concepts of theory and harmony and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions–linear and harmonic–at an early stage. The fourth edition now includes a chapter introducing species counterpoint and integrates that material into the rest of the text. A new Premium Website for students will provide interactive, guided exercises for new material covered in each unit. The Instructor’s Companion Site will include Guidelines for Instructors, a new instructor’s manual written by the authors.
Formal and Harmonic Coherence in Franz Liszt’s Ballade No. 2 in B Minor
Source(s) of analysis: Score Musical work: Ballade No. 2 in B minor S.171 Year of creation: 1853 Composer's name: Franz Liszt Methods of analysis: Conventional / Traditional analysis, Formal analysis, Other, Structural analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced, Intermediate
Study cycle: Bachelor, Master, PhD and professional
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