Formal and Harmonic Coherence in Franz Liszt’s Ballade No. 2 in B Minor
Salvatore Gioveni
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Ballade No. 2 in B minor S.171
Year of creation: 1853
Composer's name: Franz Liszt
Methods of analysis: Conventional / Traditional analysis, Formal analysis, Other, Structural analysis
Target Group / Study Level
Level of music analysis knowledge: Advanced, Intermediate
Study cycle: Bachelor, Master, PhD and professional
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Affordable Approaches to Timbral Analysis of Music: Using Today’s Computer Technology
Marcin Strzelecki
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Recording, Score
Musical work: N/A
Year of creation: N/A
Composer's name: N/A
Methods of analysis: Computational analysis
Target Group / Study Level
Level of music analysis knowledge: Advanced, Intermediate
Study cycle: Master, PhD and professional
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The Origin and Possible Usage of Transgressio in Music Theory Classes
Sebina Weich
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: 3 Rosenkavalier, Concerti musicali VII/2 (op.6), piano concerto KV 414/, Solche hergelaufnen Laffen (Die Entführung aus dem Serail, Stabat mater, Symphony 86/, trio sonata I/4 (op.4), trio sonata VII/2 (op.3), Von den Stricken meiner Sünden (St. John Passion)
Year of creation: 1689, 1694, 1698, 1724, 1736, 1782, 1786, 1911
Composer's name: Bach, Corelli, Haydn, Mozart, Pergolesi, Strauss, Torelli
Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Structural analysis, Style analysis
Target Group / Study Level
Level of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor
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