Bibliography
This is a bibliography of textbooks, companions, practice materials, journal articles, etc., used for teaching various music theory subjects at Higher Music Education Institutions in Europe. This innovative tool is created by the users themselves – teachers and students – who can submit specific items used in their institutions. The online and dynamic format of this bibliography ensures its unlimited availability to the whole community of music theory.
The bibliography allows a multi-faceted search for items that are not only useful in everyday practice but can constitute a database of resources for music theory disciplines, specific categories, etc.
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Books and articles / parts of books
Product Order
Chanter sur le livre. Manuel pratique d’improvisation polyphonique de la Renaissance
Singing upon the book. Practical manual for polyphonic improvisation of Renaissance Music
The manual gives a vivid and didactically extremely well developed introduction into polyphonic improvisation in 15th & 16th century styles.…
Counterpoint
Used by: Hochschule für Musik Würzburg (GERMANY)
Read moreChanter sur le livre. Manuel pratique d’improvisation polyphonique de la Renaissance (15ème et 16ème siècles)
Singing upon the book. Practical manual for Renaissance polyphonic improvisation
Introduction, explanations, examples and practical advice on improvising in Renaissance styles with canon techniques, diminution, gymel & fauxbourdon and others,…
Counterpoint
Used by: Hochschule für Musik Würzburg (GERMANY)
Read moreLexikon Neue Musik
Encyclopedia of contemporary music
The encyclopedia shows, beyond aesthetic evaluations, the great variety of contemporary music since 1945. In a wide-ranging lexical section, the…
Other
Used by: Hochschule für Musik Mainz (Johannes-Gutenberg-Universität Mainz) (GERMANY)
Read moreKontrapunkt I: Die Musik der Renaissance / Kontrapunkt II: Die Musik des Barock
Counterpoint I: The Music of the Renaissance
The textbooks provide a comprehensive overview of Renaissance and Baroque compositional techniques. Sources and specific examples provide insight into the…
Counterpoint
Used by: Hochschule für Musik Mainz (Johannes-Gutenberg-Universität Mainz) (GERMANY)
Read moreAnalysis of Tonal Music: A Schenkerian Approach
Analysis of Tonal Music: A Schenkerian Approach
Designed as an introductory text for upper-level undergraduates and beginning graduate students, Analysis of Tonal Music: A Schenkerian Approach, Second…
Music Analysis
Used by: Hochschule für Musik Würzburg (GERMANY)
Read moreHarmonik
Harmony
Aspects of harmony and tonality between 16th and 20th century with nearly four hundred analysed quotations from the masterworks of…
Harmony
Used by: Hochschule für Musik Würzburg (GERMANY)
Read moreKontrapunkt
Counterpoint
Detailed analysis of the structures in J. S. Bach´s fugues and canons for gaining an inspiring guidance to writing and…
Counterpoint
Used by: Hochschule für Musik Würzburg (GERMANY)
Read moreKontrapunkt. Eine Satzlehre zur Vokalpolyphonie des 16. Jahrhunderts
Counterpoint
This textbook of counterpoint not only provides basic and comprehensive instruction in compositional theory, but also opens the door to…
Counterpoint
Used by: Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (GERMANY)
Read moreSolfeggi, Bassi e Fughe. Georg Friedrich Händels Übungen zur Satzlehre
Solfeggi, Bassi e Fughe. Georg Friedrich Händel's exercises in composition
The central concern of this edition is to exploit as fully as possible the concentrated, implicitly pedagogical and theoretical potential…
Other
Used by: Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (GERMANY)
Read moreVierstimmiger Kantionalsatz im 16. und 17. Jahrhundert : eine historische Satzlehre
Four-part cantorial setting in the 16th and 17th centuries : a historical theory of setting
The cantorial movement – the older form of the chorale movement – is associated on the one hand with numerous…
Counterpoint
Used by: Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (GERMANY)
Read moreDer Choralsatz bei Bach und seinen Zeitgenossen : eine historische Satzlehre
The choral setting in Bach and his contemporaries : a historical theory of setting
This theory tries to combine modern with historical approaches. It contains, among other things: an outline of Rameau’s harmony theory,…
Other
Used by: Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (GERMANY)
Read moreKontrapunkt: Eine Satzlehre zur Vokalpolyphonie des 16. Jahrhunderts
Counterpoint: A composition theory for vocal polyphony of the 16th century
This counterpoint textbook not only offers basic and comprehensive instruction in composition theory, but also opens up access to the…
Counterpoint
Used by: Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (GERMANY)
Read moreHandbuch der Instrumentationspraxis
Handbook of Orchestration Practices
Reference work and textbook in one: the handbook for composition students and lecturers, composers, arrangers and conductors as well as…
Instrumentation / Orchestration
Used by: Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (GERMANY)
Read moreSkala – Akkord – Funktion. Theoriegeschichtliche und satztechnische Aspekte der Klangorganisation vom 16. bis zum 18. Jahrhundert.
Scale - Chord - Function
The book is part of the book series “Paraphrasen – Weimarer Beiträge zur Musiktheorie”, edited by the Hochschule für Musik…
History of Music
Used by: Hochschule für Musik "Franz Liszt" Weimar (GERMANY)
Read morePraktische Musiktheorie
Practical Music Theory
The book is part of the book series “Paraphrasen – Weimarer Beiträge zur Musiktheorie”, edited by the Hochschule für Musik…
Other
Used by: Hochschule für Musik "Franz Liszt" Weimar (GERMANY)
Read moreA Musical Grammar, in Four Parts
A Musical Grammar, in Four Parts
The design of the following work is, to compress in a small volume, the leading principles of practical music. From…
Harmony
Used by: Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig (GERMANY)
Read more