Alfred Schnittke offers us an article in which he raises some questions about the development of polystylism in modern music. He explores the techniques of collage, quotation, and allusion.
The Kodály-Dominant Chord
Source(s) of analysis: Score Musical work: 33 Two-Part Exercises, Epigrams, Jesus and the Traders, Laudes Organi Year of creation: 1934, 1954, 1955, 1966 Composer's name: Zoltán Kodály Methods of analysis: Structural analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced
Study cycle: Bachelor, Master
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