The author was active as a conductor, music-teacher, editor, composer and musicologist. The ingenuity of his writings on musical theory derives from this versatility. Bárdos explains Bartók’s and Kodály’s stylistic components with regard to melody, tonality, harmony, polyphony and form. The reader is also introduced to a specific mode of melody formation so far unknown in the common knowledge about music, i. e. organics.
Fryderyk Chopin’s Mazurka Op. 30 No. 2: The Perception of Form from a Dynamic Perspective
Source(s) of analysis: Score Musical work: Mazurka op. 30 No. 2 Year of creation: 1836-1837 Composer's name: Fryderyk Chopin Methods of analysis: Conventional / Traditional analysis, Formal analysis, Other
Target Group / Study LevelLevel of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor, Master
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