The period spanning the deaths of Beethoven and Chopin provides a time frame for a discussion of the works of composers active in the late 1820s and early 1830s: Chopin, Liszt, Berlioz, Mendelssohn-Bartholdy, Bellini, Meyerbeer, and Schumann. During this period, composers explored new paths in terms of form—in particular the fragment—and its relation to literature and nature. Character pieces, the lied, the symphony, and the opera are some of the genres that underwent substantial change or appeared as entirely new forms.
Franz Liszt’s Religious Vocal Compositions from the Holy Year 1879: The Composer’s Religious Intonation in the Light of the Aesthetics of the Romantic Fragment
Source(s) of analysis: Score Musical work: Cantantibus Organis (S.7), Gebet (S. 331), O Roma nobilis (S.54), Ossa Arida (S.56), Rosario (S.55), Sei still (S. 330), Via crucis (S.53) Year of creation: 1879 Composer's name: Franz Liszt Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Style analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced, Intermediate
Study cycle: PhD and professional
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