Explanations, excerpts and exercises connected to the 18th century harmony progressions, based on four-voice compositions: authentic and plagal cadences, triads’ and seventh chords’ inversions, secondary dominants, diminished chords, altered subdominants, neapolitan sixth etc.
Tradition and Modernity in the Harmony of Corale, interludio e aria by Eugeniusz Knapik
Source(s) of analysis: Score Musical work: Corale, interludio e aria Year of creation: 1978 Composer's name: Eugeniusz Knapik Methods of analysis: Other
Target Group / Study LevelLevel of music analysis knowledge: Advanced, Intermediate
Study cycle: Bachelor, Master, PhD and professional
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