The book is the last of three volumes in the “Musical dictations” series. The series provides a vast selections of dictations, originating in music literature. Overall, the series is organized according to the increasing level of difficulty, in terms of texture, harmony and scales, yet each volume contains various types of dictation – in volume 3 from one- to three-part texture. Each dictation is followed by a short comment that is listing the characteristics worth pointing out to students. There are CDs enclosed with each volume, providing audio material for the dictations, which makes the series a convenient resource to use in ear training classes.
The Origin and Possible Usage of Transgressio in Music Theory Classes
Source(s) of analysis: Score Musical work: 3 Rosenkavalier, Concerti musicali Op. 6 No 7 (3rd movement), Piano Concerto KV 414, Solche hergelaufnen Laffen / Die Entführung aus dem Serail, Stabat mater, Symphony 86, Trio Sonata Op. 4 No. 1 (3rd movement), Trio Sonata VII/2 Op.3, Von den Stricken meiner Sünden / St. John Passion Year of creation: 1689, 1694, 1698, 1724, 1736, 1782, 1786, 1911 Composer's name: Bach, Corelli, Haydn, Mozart, Pergolesi, Strauss, Torelli Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Structural analysis, Style analysis
Target Group / Study LevelLevel of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor
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