This book is Schoenberg’s last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. Schoenberg’s argument is supported by music examples, which range from entire development sections of classical symphonies to analyses of the experimental harmonic progressions of Strauss, Debussy, Reger and Schoenberg’s own early music.
Etude Op. 10, No. 1 by Frederic Chopin. An explanation based on its harmonic-rhythmic reduction
Source(s) of analysis: Score Musical work: Etude op. 10, no. 1 Year of creation: 1829 Composer's name: Frederic Chopin Methods of analysis: Conventional / Traditional analysis, Formal analysis, Schenkerian analysis, Structural analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced
Study cycle: Bachelor, Master, PhD and professional
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