While our eyes gladly look at he famous trompe-l’oeil and other optical illusions, our ears cannot be deprived of such a treat in the heart of the sound universe. This book gives us many keys to it, allowing, for example, to understand why the minor perception of major intervals (or the reverse) can, in certain cases, attest to a subtle and refined listening. Several analogous paradoxes are developed there, along with innovative educational options.
Formal and Harmonic Coherence in Franz Liszt’s Ballade No. 2 in B Minor
Source(s) of analysis: Score Musical work: Ballade No. 2 in B minor S.171 Year of creation: 1853 Composer's name: Franz Liszt Methods of analysis: Conventional / Traditional analysis, Formal analysis, Other, Structural analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced, Intermediate
Study cycle: Bachelor, Master, PhD and professional
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