“It is only as we discover the modal dimensions of Verdi’s, Wagner’s, Liszt’s and Mussorgsky’s music that we realize just how little we know about the Romantic roots of Bartók’s compositions. And yet, these roots are so deep and so vital! Truly, I feel that I owed this book to all Bartók research — past, present and future” — wrote Lendvai in the preface of his book.
Rhetorical Strategies in Renaissance Sacred Polyphony: Three Examples for Undergraduate Music Classroom
Source(s) of analysis: Score Musical work: Circumdederunt me, Lamentations of Jeremiah, Super flumina Babilonis Year of creation: 1549, 1585, 1587 Composer's name: Cristóbal de Morales, Giovanni Pierluigi da Palestrina, Tomás Luis de Victoria Methods of analysis: Rhetoric analysis, Style analysis
Target Group / Study LevelLevel of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor
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