Advanced Schenkerian Analysis : Perspectives on Phrase Rhythm, Motive, and Form is a textbook for students with some background in Schenkerian theory. It begins with an overview of Schenker’s theories, then progresses systematically from the phrase and their various combinations to longer and more complex works. Unlike other texts on this subject, Advanced Schenkerian Analysis combines the study of multi-level pitch organization with that of phrase rhythm (the interaction of phrase and hypermeter), motivic repetition at different structural levels, and form. It also contains analytic graphs of several extended movements, separate works, and songs. A separate Instructor’s Manual provides additional advice and solutions (graphs) of all recommended assignments.
Mattheson’s Concept of Klangrede in Two Fugues by Bach and Mozart
Source(s) of analysis: Score Musical work: Fugue in D major BWV 873 / The Well-Tempered Clavier (vol. 2), Kyrie / Requiem in D minor K. 626 Year of creation: 1739–42, 1791 Composer's name: Johann Sebastian Bach, Wolfgang Amadeus Mozart Methods of analysis: Formal analysis, Rhetoric analysis, Style analysis
Target Group / Study LevelLevel of music analysis knowledge: Intermediate
Study cycle: Bachelor, Master
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