A study of the styles of Haydn, Mozart, and Beethoven, with particular reference to Haydn’s string quartets and symphonies and Mozart’s concertos, string quintets, and comic operas. The section devoted to Haydn’s development after the death of Mozart considers the integration of popular elements into his symphonies and oratorios, his piano trios, and his church music. Beethoven’s achievement is viewed in terms of key works in a number of genres; his relationship to musical Romanticism is discussed. The origins of the Classic style, various theories of sonata form, and coherence in the musical language are also considered.
Robert Schumann’s Aus meinen Tränen sprießen from Dichterliebe: Various Analytical Approaches
Source(s) of analysis: Score Musical work: Aus meinen Tränen sprieße / Dichterliebe Op. 48 Year of creation: 1840 Composer's name: Robert Schumann Methods of analysis: Computational analysis, Formal analysis, Rhetoric analysis, Schenkerian analysis, Semiotic analysis, Structural analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced
Study cycle: PhD and professional
Read more



