{"id":6855,"date":"2026-07-16T21:12:14","date_gmt":"2026-07-16T21:12:14","guid":{"rendered":"https:\/\/harmahub.eu\/?post_type=harmanalysis_repo&#038;p=6855"},"modified":"2026-07-16T21:12:14","modified_gmt":"2026-07-16T21:12:14","slug":"matthesons-concept-of-klangrede-in-two-fugues-by-bach-and-mozart","status":"publish","type":"harmanalysis_repo","link":"https:\/\/harmahub.eu\/es\/harmanalysis_repo\/matthesons-concept-of-klangrede-in-two-fugues-by-bach-and-mozart\/","title":{"rendered":"Mattheson\u2019s Concept of Klangrede in Two Fugues by Bach and Mozart"},"content":{"rendered":"<p>In this article, Mattheson\u2019s concept of Klangrede (Der vollkommene Kapellmeister, 1739) is applied to two distinct fugues. The analysis focuses on the rhetorical structure and form of the pieces and links the art of rhetoric to compositional techniques. First Klangrede is demonstrated in Bach\u2019s D major fugue from The Well-Tempered Clavier, vol. 2, which was composed close to Mattheson\u2019s theoretical description of the phenomenon. Then, Mozart\u2019s use of Klangrede in the Kyrie fugue from his Requiem, K. 626, is demonstrated. Therefore, Mozart\u2019s knowledge of Bach\u2019s fugal compositions is discussed. This leads to a more accurate understanding on Bach\u2019s influence on Mozart\u2019s contrapuntal skills, Mozart\u2019s knowledge in rhetorics and his mastery of the Baroque compositional style, which is sometimes attributed to him.<\/p>\n","protected":false},"featured_media":0,"template":"","harma_source":[1429],"harma_musical":[3144,3145],"harma_year":[3146,3052],"harma_composer":[3053,3054],"harma_methods":[1386,1403,1402],"harma_level":[1408],"harma_study":[1388,1306],"disciplines":[2533],"tax_biblography_categrories":[2536,2540,2537],"analysis_tags":[3059,3057,3060,3055,3056],"authors_filters":[],"class_list":["post-6855","harmanalysis_repo","type-harmanalysis_repo","status-publish","hentry","harma_source-score","harma_musical-fugue-in-d-major-bwv-873-the-well-tempered-clavier-vol-2","harma_musical-kyrie-requiem-in-d-minor-k-626","harma_year-1739-42","harma_year-3052","harma_composer-johann-sebastian-bach","harma_composer-wolfgang-amadeus-mozart","harma_methods-formal-analysis","harma_methods-rhetoric-analysis","harma_methods-style-analysis","harma_level-intermediate","harma_study-bachelor","harma_study-master","disciplines-2-music-analysis","tax_biblography_categrories-16-formal-analysis","tax_biblography_categrories-18-style-analysis","tax_biblography_categrories-20-rhetoric-analysis","analysis_tags-church-music","analysis_tags-fugue","analysis_tags-golden-ratio","analysis_tags-klangrede","analysis_tags-rhetoric"],"acf":[],"_links":{"self":[{"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harmanalysis_repo\/6855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harmanalysis_repo"}],"about":[{"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/types\/harmanalysis_repo"}],"version-history":[{"count":2,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harmanalysis_repo\/6855\/revisions"}],"predecessor-version":[{"id":6863,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harmanalysis_repo\/6855\/revisions\/6863"}],"wp:attachment":[{"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/media?parent=6855"}],"wp:term":[{"taxonomy":"harma_source","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harma_source?post=6855"},{"taxonomy":"harma_musical","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harma_musical?post=6855"},{"taxonomy":"harma_year","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harma_year?post=6855"},{"taxonomy":"harma_composer","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harma_composer?post=6855"},{"taxonomy":"harma_methods","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harma_methods?post=6855"},{"taxonomy":"harma_level","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harma_level?post=6855"},{"taxonomy":"harma_study","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/harma_study?post=6855"},{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/disciplines?post=6855"},{"taxonomy":"tax_biblography_categrories","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/tax_biblography_categrories?post=6855"},{"taxonomy":"analysis_tags","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/analysis_tags?post=6855"},{"taxonomy":"authors_filters","embeddable":true,"href":"https:\/\/harmahub.eu\/es\/wp-json\/wp\/v2\/authors_filters?post=6855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}