Summary of the Table of Contents: Analytic Approaches to Twentieth-Century Music<\/p>\n
The book is structured into four main units focusing on analytic approaches to music from the 20th century.<\/p>\n
UNIT ONE: Tonality and Twentieth-Century Music<\/p>\n
This unit examines basic elements of music in both tonal and non-tonal contexts.<\/p>\n
Chapter I: Pitch in Tonal and Non-Tonal Music
\n* Covers harmonic function as directed motion, the dissolution of functional tonality, and the use of motives and series in both tonal and non-tonal music.
\nChapter II: Rhythm and Meter
\n* Discusses meter in tonal music, metric regularity and irregularity, and the simultaneous use of different meters (polymeter). Also explores the concepts of metric and ametric music.
\nChapter III: Texture and Timbre**
\n* Analyzes the relationship between texture, phrase, and form. It includes discussions on stratified textures, timbre itself, and the placement of timbral changes.
\nChapter IV: Form
\n* Focuses on the structure of musical form and introduces new formal possibilities emerging in 20th-century music.<\/p>\n
UNIT TWO: Pitch Structures<\/p>\n
This unit introduces analytical methods related to pitch organization, primarily in non-tonal music.<\/p>\n
Chapter V: Pitches, Intervals, Melody
\n* Defines the basic concepts of pitch classes and interval classes. It also provides a model for analyzing melody.
\nChapter VI: Set Classes
\n* Explains how to assign a single name for each set class using normal form (ordenaci\u00f3n m\u00ednima) and addresses the localization of set classes within a composition.
\nChapter VII: Interval Content
\n* Focuses on the interval content of sets and the compositional and expressive effects derived from set classes.
\nChapter VIII: The Use of Different Set Classes
\n* Explores the relationships between set classes and discusses the principles of unity and variety when different sets are employed.
\nChapter IX: Regions of Pitch Classes, Scales, Modes
\n* Examines large-scale pitch collections, including the **diatonic scale**, the **whole-tone scale** (escala de tonos enteros), the octatonic scale, and other pitch regions.<\/p>\n
UNIT THREE: Serial Music<\/p>\n
This section is dedicated to the study of serial techniques, primarily dodecaphony (twelve-tone music).<\/p>\n
Chapter X: Dodecaphonic Series
\n* Covers the fundamentals, including the process of **localizing the dodecaphonic series** in a musical piece.
\nChapter XI: Common Elements
\n* Discusses compositional and precompositional relationships and provides an analysis model focusing on motive, phrasing, and continuity using Schoenberg\u2019s String Quartet No. 4.
\nChapter XII: Hexachordal Combinatoriality
\n* Detailed look at combinatoriality in Schoenberg\u2019s works.
\nChapter XIII: Derived Series
\n* Focuses on derived series and the music of Webern, also addressing the use of multiple derived series in a single composition.<\/p>\n
UNIT FOUR: Since the Second World War<\/p>\n
The final unit explores compositional trends and analytical techniques from the middle of the 20th century onwards.<\/p>\n
Chapter XIV: Multiple Orderings of Dodecaphonic Series
\n* Examines the use of serial techniques by Schoenberg, Berg, and Stravinsky.
\nChapter XV: Other Aspects of Serialism
\n* Discusses the employment of series with less than twelve pitch classes and the extension of serial methods to non-pitch elements (the serialization of other aspects).
\nChapter XVI: More Recent Developments
\n* Covers freer pitch structures, improvisatory and aleatoric music, and the overall simplification of musical language, including the return to tonality and minimalism.<\/p>\n
The book concludes with an Appendix dedicated to the topic of Hexachordal Combinatoriality.<\/p>\n","protected":false},"template":"","disciplines":[2533],"used_country":[1652],"publication_country":[1715],"publication_languages":[906],"publication_city":[2997],"used_city":[1880],"publication_year":[486],"tax_type":[1292,1293],"publisher_name":[2995],"tax_biblography_categrories":[2512],"used_institution":[1882],"bibliography_tags":[283,2996,17,89,2208,2401],"class_list":["post-5548","cpt_bibliography","type-cpt_bibliography","status-publish","hentry","disciplines-2-music-analysis","used_country-spain","publication_country-spain","publication_languages-spanish","publication_city-madrid","used_city-valencia","publication_year-486","tax_type-5-theory-methods","tax_type-6-analytical-studies","publisher_name-ediciones-akal-s-l","tax_biblography_categrories-10-post-tonal-music","used_institution-conservatorio-superior-de-musica-joaquin-rodrigo","bibliography_tags-atonality","bibliography_tags-joel-lester","bibliography_tags-music-analysis","bibliography_tags-music-theory","bibliography_tags-serialism","bibliography_tags-twentieth-century"],"acf":[],"_links":{"self":[{"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/cpt_bibliography\/5548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/cpt_bibliography"}],"about":[{"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/types\/cpt_bibliography"}],"version-history":[{"count":2,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/cpt_bibliography\/5548\/revisions"}],"predecessor-version":[{"id":5655,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/cpt_bibliography\/5548\/revisions\/5655"}],"wp:attachment":[{"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/media?parent=5548"}],"wp:term":[{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/disciplines?post=5548"},{"taxonomy":"used_country","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/used_country?post=5548"},{"taxonomy":"publication_country","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/publication_country?post=5548"},{"taxonomy":"publication_languages","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/publication_languages?post=5548"},{"taxonomy":"publication_city","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/publication_city?post=5548"},{"taxonomy":"used_city","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/used_city?post=5548"},{"taxonomy":"publication_year","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/publication_year?post=5548"},{"taxonomy":"tax_type","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/tax_type?post=5548"},{"taxonomy":"publisher_name","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/publisher_name?post=5548"},{"taxonomy":"tax_biblography_categrories","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/tax_biblography_categrories?post=5548"},{"taxonomy":"used_institution","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/used_institution?post=5548"},{"taxonomy":"bibliography_tags","embeddable":true,"href":"https:\/\/harmahub.eu\/fr\/wp-json\/wp\/v2\/bibliography_tags?post=5548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}