Max Reger on Mozart in Variation Form
Marek Podhajski
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Variations and Fugue on a Theme by Mozart
Year of creation: 1914
Composer's name: Max Reger
Methods of analysis: Conventional / Traditional analysis
Target Group / Study Level
Level of music analysis knowledge: Advanced, Beginner, Intermediate
Study cycle: Bachelor
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Franz Liszt’s Religious Vocal Compositions from the Holy Year 1879: The Composer’s Religious Intonation in the Light of the Aesthetics of the Romantic Fragment
Gergely Balazs
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Cantantibus Organis (S.7), Gebet (S. 331), O Roma nobilis (S.54), Ossa Arida (S.56), Rosario (S.55), Sei still (S. 330), Via crucis (S.53)
Year of creation: 1879
Composer's name: Franz Liszt
Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Style analysis
Target Group / Study Level
Level of music analysis knowledge: Advanced, Intermediate
Study cycle: PhD and professional
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Albeniz’s Evocación: A Timbral Analysis
Marcin Strzelecki
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Recording, Score
Musical work: Evocación
Year of creation: 1905
Composer's name: Isaac Albéniz
Methods of analysis: Computational analysis
Target Group / Study Level
Level of music analysis knowledge: Advanced, Intermediate
Study cycle: Master, PhD and professional
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The Origin and Possible Usage of Transgressio in Music Theory Classes
Sebina Weich
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: 3 Rosenkavalier, Concerti musicali Op. 6 No 7 (3rd movement), Piano Concerto KV 414, Solche hergelaufnen Laffen / Die Entführung aus dem Serail, Stabat mater, Symphony 86, Trio Sonata Op. 4 No. 1 (3rd movement), Trio Sonata VII/2 Op.3, Von den Stricken meiner Sünden / St. John Passion
Year of creation: 1689, 1694, 1698, 1724, 1736, 1782, 1786, 1911
Composer's name: Bach, Corelli, Haydn, Mozart, Pergolesi, Strauss, Torelli
Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Structural analysis, Style analysis
Target Group / Study Level
Level of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor
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