Analytical article about Pierre Boulez’s “Mémoriale”, a piece for solo flute and eight instruments. The analysis is centered around the structural issues and the orchestration.
Franz Liszt’s religious vocal compositions in the Holy year 1879. The composer’s religious intonation in the light of the aesthetics of fragment
Source(s) of analysis: Score Musical work: Cantantibus Organis (S.7), Gebet (S. 331), O Roma nobilis (S.54), Ossa Arida (S.56), Rosario (S.55), Sei still (S. 330), Via crucis (S.53) Year of creation: 1879 Composer's name: Franz Liszt Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Style analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced
Study cycle: PhD and professional
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