The book is fundamental to the understanding of Stravinsky’s music, especially in relation to the Russian and neoclassical periods. It strongly questions the validity of common theoretical concepts such as politonality. It does pioneer work in the presentation of the interaction between the two tone sets most characteristic of Stravinsky’s music, the diatonic and octatonic scales.
Robert Schumann’s Aus meinen Tränen sprießen from Dichterliebe: Various Analytical Approaches
Source(s) of analysis: Score Musical work: Aus meinen Tränen sprieße / Dichterliebe Op. 48 Year of creation: 1840 Composer's name: Robert Schumann Methods of analysis: Computational analysis, Formal analysis, Rhetoric analysis, Schenkerian analysis, Semiotic analysis, Structural analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced
Study cycle: PhD and professional
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