Alfred Schnittke offers us an article in which he raises some questions about the development of polystylism in modern music. He explores the techniques of collage, quotation, and allusion.
Franz Liszt’s Religious Vocal Compositions from the Holy Year 1879: The Composer’s Religious Intonation in the Light of the Aesthetics of the Romantic Fragment
Source(s) of analysis: Score Musical work: Cantantibus Organis (S.7), Gebet (S. 331), O Roma nobilis (S.54), Ossa Arida (S.56), Rosario (S.55), Sei still (S. 330), Via crucis (S.53) Year of creation: 1879 Composer's name: Franz Liszt Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Style analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced, Intermediate
Study cycle: PhD and professional
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