The Origin and Possible Usage of Transgressio in Music Theory Classes
Sebina Weich
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: 3 Rosenkavalier, Concerti musicali Op. 6 No 7 (3rd movement), Piano Concerto KV 414, Solche hergelaufnen Laffen / Die Entführung aus dem Serail, Stabat mater, Symphony 86, Trio Sonata Op. 4 No. 1 (3rd movement), Trio Sonata VII/2 Op.3, Von den Stricken meiner Sünden / St. John Passion
Year of creation: 1689, 1694, 1698, 1724, 1736, 1782, 1786, 1911
Composer's name: Bach, Corelli, Haydn, Mozart, Pergolesi, Strauss, Torelli
Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Structural analysis, Style analysis
Target Group / Study Level
Level of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor
Read more
Isaac Albéniz’s Evocación: An Analysis for Teaching Purposes
Stefano Procaccioli
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Evocación
Year of creation: 1905–1906
Composer's name: Isaac Albéniz
Methods of analysis: Conventional / Traditional analysis, Formal analysis, Other
Target Group / Study Level
Level of music analysis knowledge: Advanced, Beginner, Intermediate
Study cycle: Bachelor, Master
Read more
Seven Examples of Periodic Structure Analysis
Marek Podhajski
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Mazurka in A Minor Op. 17 No. 4, Mazurka in A Minor Op. 7 No. 2, Mazurka in B Minor Op. 33 No. 4, Mazurka in B-flat Major Op. 17 No. 1, Mazurka in C-sharp Minor Op. 30 No. 4, Mazurka in C-sharp Minor Op. 41 No. 1, Mazurka in C-sharp Minor Op. 50 No. 3
Year of creation: 1824–1831, 1831–1833, 1835–1837, 1838–1839, 1841–1842
Composer's name: Fryderyk Chopin
Methods of analysis: Conventional / Traditional analysis, Formal analysis, Structural analysis
Target Group / Study Level
Level of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor, Master
Read more
Formal and Harmonic Coherence in Franz Liszt’s Ballade No. 2 in B Minor
Salvatore Gioveni
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Ballade No. 2 in B minor S.171
Year of creation: 1853
Composer's name: Franz Liszt
Methods of analysis: Conventional / Traditional analysis, Formal analysis, Other, Structural analysis
Target Group / Study Level
Level of music analysis knowledge: Advanced, Intermediate
Study cycle: Bachelor, Master, PhD and professional
Read more