Theoretical methods show their value in that, like keys, they help to unlock hitherto unintelligible connections. Lendvai discovered the fact that Bartók’s music is rooted in nature: he developed a system of integrating every aspect of the composition – form, rhythm and proportions, together with melodic and harmonic structures, bridge form.
Franz Liszt’s Religious Vocal Compositions from the Holy Year 1879: The Composer’s Religious Intonation in the Light of the Aesthetics of the Romantic Fragment
Source(s) of analysis: Score Musical work: Cantantibus Organis (S.7), Gebet (S. 331), O Roma nobilis (S.54), Ossa Arida (S.56), Rosario (S.55), Sei still (S. 330), Via crucis (S.53) Year of creation: 1879 Composer's name: Franz Liszt Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Style analysis
Target Group / Study LevelLevel of music analysis knowledge: Advanced, Intermediate
Study cycle: PhD and professional
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