Fryderyk Chopin’s Mazurka Op. 30 No. 2: The Perception of Form from a Dynamic Perspective
Stefano Procaccioli
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Mazurka op. 30 No. 2
Year of creation: 1836-1837
Composer's name: Fryderyk Chopin
Methods of analysis: Conventional / Traditional analysis, Formal analysis, Other
Target Group / Study Level
Level of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor, Master
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Mieczysław E. Litwiński’s SOMNIVM: Musical Aspects from a Multicultural Perspective
Maja Pałys
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Recording, Score
Musical work: SOMNIVM
Year of creation: 2010
Composer's name: Mieczysław Litwiński
Methods of analysis: Conventional / Traditional analysis, Other
Target Group / Study Level
Level of music analysis knowledge: Advanced
Study cycle: Bachelor, Master, PhD and professional
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The Origin and Possible Usage of Transgressio in Music Theory Classes
Sebina Weich
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: 3 Rosenkavalier, Concerti musicali Op. 6 No 7 (3rd movement), Piano Concerto KV 414, Solche hergelaufnen Laffen / Die Entführung aus dem Serail, Stabat mater, Symphony 86, Trio Sonata Op. 4 No. 1 (3rd movement), Trio Sonata VII/2 Op.3, Von den Stricken meiner Sünden / St. John Passion
Year of creation: 1689, 1694, 1698, 1724, 1736, 1782, 1786, 1911
Composer's name: Bach, Corelli, Haydn, Mozart, Pergolesi, Strauss, Torelli
Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Structural analysis, Style analysis
Target Group / Study Level
Level of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor
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Robert Schumann’s Aus meinen Tränen sprießen from Dichterliebe: Various Analytical Approaches
Fabio De Sanctis De Benedictis
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Aus meinen Tränen sprieße / Dichterliebe Op. 48
Year of creation: 1840
Composer's name: Robert Schumann
Methods of analysis: Computational analysis, Formal analysis, Rhetoric analysis, Schenkerian analysis, Semiotic analysis, Structural analysis
Target Group / Study Level
Level of music analysis knowledge: Advanced
Study cycle: PhD and professional
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