Music analysis in the nineteenth century. II: Hermeneutic approaches
Music analysis in the nineteenth century. II: Hermeneutic approaches

Ian Bent (co_editor)

Discipline: Music Analysis

Category: Other

Type: Theory / Methods

Hermeneutics decodes the message of a work rather than describing its outward form. The general hermeneutics of Friedrich Schleiermacher (1768-1834) is highly suggestive for music, and hermeneutic prescriptions by Rochlitz (1798), Nägeli (1802), Brendel (1845), and Kretzschmar (1903-07) provide a framework for interpretive music analysis in the 19th c. Elucidatory analysis aims to reveal the content or substance of music. Newly translated analyses by Berlioz, Wagner, Lenz, Elterlein, Spitta, Wolzogen, and Kretzschmar exemplify the category. The operation of the hermeneutic circle shuttles between the whole and part, objective and subjective, to yield the music’s message. Analyses by Momigny, Hoffmann, Schumann, Basevi, Marx, and Helm are used.

Keywords: analytical methods, hermeneutics, subjective analysis

Publication languageEnglish
Publication place (country)United States
Publication place (city)New York City
Publication year1994
Used by (country)BELGIUM
Used by (city)BRUSSELS
Identifier 0-521-46183-9

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