This analysis was proposed to all participants at the 1918 HarMA conference in Brussels. After some preliminary information, the piece is analyzed using different methods: segmentation and morphological analysis, thematic analysis, harmonic (functional theory), Schenkerian, semiological, rhetorical and statistical analysis. From the comparison of the results of the different methodologies a small ternary form emerges, but with some references also to a possible binary structure, a sort of synthesis between two and three.
L’harmonie classique et romantique
The classical and romantic Harmonic language
After having recalled the positions of the theorists of tonal language, this work defines the principles which govern harmony in…
Harmony
Used by: Conservatoire royal de Bruxelles (BELGIUM)
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