About HarMArchive
The goal of HarMArchive is to bridge this gap by promoting (1) original approaches to music theory that prioritise pedagogical applicability, or (2) pedagogical applications of existing research that make complex theories more accessible.
The founders of HarMArchive believe that one of the key values of any theory that explains music is its usefulness in teaching, as this ensures the theory’s relevance within the broader musical culture—essentially, its vitality.
HarMArchive encompasses approaches from all traditional areas of music theory, including ear training, solfeggio, harmony, counterpoint, and form analysis. It also welcomes innovative and unconventional methodologies.
For authors
General submission guidelines
Article submission to HarMArchive should be emailed to kerri.kotta@eamt.ee.
Article structure
The structure of the submitted article must adhere to the specific format.
Review process
All articles submitted to HarMArchive will be peer-reviewed anonymously by two reviewers.
For reviewers
Review form
Please review the manuscript as you would want one of your manuscripts reviewed. Provide as many constructive comments and useful recommendations as possible.
Review process
Note reviewer confidentiality. Reviewers should regard a submitted manuscript and the completed Review Form as confidential documents.
Journal policy
The editorial board of HarMArchive follows the best practices in the ethics of scholarly publishing and presupposes it also from peer-reviewers and authors.
COPE Guidelines
Duties
Duties of editors, authors, and reviewers of HarMArchive are based on the Committee on Publication Ethics (COPE) best practice guidelines for scholarly publishing.