The Coherence of the Form: Fryderyk Chopin, Rondo C Minor Op. 1
Marek Podhajski
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Rondo in C Minor Op. 1
Year of creation: 1825
Composer's name: Fryderyk Chopin
Methods of analysis: Conventional / Traditional analysis, Formal analysis, Structural analysis
Target Group / Study Level
Level of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor, Master
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Principles of Variation Form Analysis: Melodic Variations with a Constant Harmonic Plan
Marek Podhajski
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Piano Sonata K. 331 (1st movement)
Year of creation: 1783?
Composer's name: Wolfgang Amadeus Mozart
Methods of analysis: Conventional / Traditional analysis, Formal analysis
Target Group / Study Level
Level of music analysis knowledge: Beginner
Study cycle: Bachelor
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The Origin and Possible Usage of Transgressio in Music Theory Classes
Sebina Weich
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: 3 Rosenkavalier, Concerti musicali Op. 6 No 7 (3rd movement), Piano Concerto KV 414, Solche hergelaufnen Laffen / Die Entführung aus dem Serail, Stabat mater, Symphony 86, Trio Sonata Op. 4 No. 1 (3rd movement), Trio Sonata VII/2 Op.3, Von den Stricken meiner Sünden / St. John Passion
Year of creation: 1689, 1694, 1698, 1724, 1736, 1782, 1786, 1911
Composer's name: Bach, Corelli, Haydn, Mozart, Pergolesi, Strauss, Torelli
Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Structural analysis, Style analysis
Target Group / Study Level
Level of music analysis knowledge: Beginner, Intermediate
Study cycle: Bachelor
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Franz Liszt’s Religious Vocal Compositions from the Holy Year 1879: The Composer’s Religious Intonation in the Light of the Aesthetics of the Romantic Fragment
Gergely Balazs
Source(s), Object(s) and Method(s) of Analysis
Source(s) of analysis: Score
Musical work: Cantantibus Organis (S.7), Gebet (S. 331), O Roma nobilis (S.54), Ossa Arida (S.56), Rosario (S.55), Sei still (S. 330), Via crucis (S.53)
Year of creation: 1879
Composer's name: Franz Liszt
Methods of analysis: Conventional / Traditional analysis, Rhetoric analysis, Style analysis
Target Group / Study Level
Level of music analysis knowledge: Advanced, Intermediate
Study cycle: PhD and professional
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